Sennheiser Professional HD 25 On-Ear DJ Headphones

Product Information

This saying is not technically exactly correct but for every day use use of dynamic microphones you will not find gain limitations. At SPL levels above 160 dB some mechanical problems might occur (for example the voice coil might crash onto the magnet) but these SPL levels are very hard to find in real world. On-ear headphones need to be well-designed so that they still offer a good amount of passive noise cancellation.

SENNHEISER HD 25 PLUS HEADPHONES 70 ohms, 1.5-3m single sided SENNHEISER HD 25 PLUS HEADPHONES 70 ohms, 1.5-3m single sided

Sure, they might not be the most comfortable or expensive-looking headphones around – but that doesn’t matter much with the HD 25s. However, once you start using your HD 25 for the first time and discover what you can do with your music as a result, it’s difficult to use anything else. The Sennheiser HD25 headphones remain as popular today as they’ve ever been. Known around the world for incredible reliability and performance, these headphones are unlikely to disappear any time soon. They’re capable of handling a very high sound pressure level, and the rotatable capsule for single-ear listening makes for ideal monitoring headphones.A common sight in DJ booths around the world since the 90s, the Sennheiser HD25 is the choice of professional DJs – the “industry-standard” DJ headphone. With a frequency range of 16 to 22,000 Hz and high sensitivity due to the lightweight aluminium voice coils, the latest generation of HD25 delivers accurate sound reproduction. Here at Sennheiser we use dynamic microphones for distortion measurements on loudspeakers at very high sound pressure levels. At Sennheiser we have measured the SPL and THD inside a large 2" driver/horn combination with a MD 421. The max SPL this combination was able to produce was 150 dB and the THD level recorded by a MD 421 was below 1% (produced by the driver not by the mic) Your headphone ear pads will bind themselves against your head as tightly as possible to prevent access to external disturbances. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. Ideal monitoring headphones for cameramen and DJs, these are a pair of true sound professionals’ working headphones. Although they’re not intended for casual listening, you can still get a great experience from these headphones however you choose to use them.

Sennheiser HD25 Review: The Ultimate DJ Workhorse

Keep in mind that these DJ headphones are available to listen to either with dual cans or used with only one ear. If you’re only listening to sound in one headphone, there’s some risk that you’re going to miss out on some of the depth and quality you can get from these headphones. The other thing to consider when buying DJ headphones is whether to go for an over-ear or on-ear design.

This is where Sennheiser smashed it out of the park. These little headphones are tough! At first glance the lightweight feel and slimline design make them look like they would easily break. That’s where looks can be deceiving. The first thing to do is ensure that you have the audio plug of the headphones connected securely into the audio device. A properly connected cable should not wiggle. If the plug wiggles that could indicate a loose connection. NOTE: This could be a result of the cable not being plugged all the way in or it could be a faulty input or sometimes if the device you are connecting to has a case on it the case will prevent the cable plugging in correctly. Another excellent pair of headphones that are ideal for fans of Pioneer DJ gear. With excellent sound quality and a high comfort level, they are a great set of cans. Another bonus of the HD 25 headphones is how easy they are to use. As with most headphones in the modern market, the better your audio source, the better your headphones are going to sound.